TOP
>
Future Jazz / Broken beats
Future Jazz / Broken beats
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
10
|
...
|
¼¡¤Î¥Ú¡¼¥¸¤Ø
Á´ [227] ¾¦ÉÊÃæ [1-20] ¾¦Éʤòɽ¼¨¤·¤Æ¤¤¤Þ¤¹
SOLDOUT
¸å¤Ë¥ê¥ê¡¼¥¹¤µ¤ì¤¿Ì¾ºî¡ÖFrederic Galliano And The African Divas¡×¤Ë·Ò¤¬¤ëFREDERIC GALLIANO¤Ë¤è¤ëÌۥ饤¥ô¥»¥Ã¥·¥ç¥ó¡£ÃÏ¿ÞŪ¾ò·ï¤ÈºÍǽ¤¬°ìÃפ·¤Æ¡¢¥¢¥Õ¥ê¥«¡¢¥¸¥ã¥º¡¢¥¢¥Ö¥¹¥È¥é¥¯¥È¡¢¥Ç¥£¡¼¥×¥Ï¥¦¥¹¤¬Æ±µï¤·¤Æ¤¤¤Þ¤¹¡£¥¢¥³¡¼¥¹¥Æ¥£¥Ã¥¯¤È¥¨¥ì¥¯¥È¥í¥Ë¥¯¥¹¤ÎÀä̯¤Ê¥Ð¥é¥ó¥¹´¶³Ð¡£Ï¿²»¤¬À¸¡¹¤·¤¤¤Î¤â¥ß¥½¡¢¹Ó¡¹¤·¤¤Î³»Ò¤¬É⤽ФƤ¤Þ¤¹¡£¥ê¥ê¡¼¥¹Åö»þ¤«¤é¤ªÀ¤ÏäˤʤäƤ¤¤ë¿äÁ¦Èס£(1998)
1,300±ß(ÆâÀÇ)
UMODµÕ¤µ¤«¤éÆÉ¤ó¤ÇDOMU¡¢¤½¤¦DOMU¤ÎÊÑ̾¤Ç¤¹¡£¥É¥é¥à¥ó¥Ù¡¼¥¹´ü¤ò·Ð¤Æ¡¢¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤¬Î´À¹¤ò¶Ë¤á¤ë»þÂå¤ËDEGO¤Î°ìÈÖÄï»Ò¤È¤·¤Æ¡¢10Â夫¤é¥È¥é¥Ã¥¯¥á¥¤¥¯¤ò³Ø¤ó¤À¡¢¤½¤ÎºÍǽ¤¬À¸¤ß½Ð¤·¤¿¥È¥é¥Ã¥¯·²¤ÏÅöŹ¤Ë¤È¤Ã¤Æº£¤â»¬¤Ó¤ì¤ë¤³¤È¤Ï¤¢¤ê¤Þ¤»¤ó¡£¤³¤Î̾µÁ¤Ç¤Ï¥À¥¦¥ó¥Æ¥ó¥Ý¡Á¥¹¥í¡¼¥â¡¼¤Ê¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤òÀ©ºî¡£¥á¥í¥¦¤«¤é´ñ̯¤ÊÏĤߤò»ý¤Ã¤¿¥È¥é¥Ã¥¯¡¢Æ¬¤«¤é¿¬Èø¤Þ¤Ç¥«¥Ã¥³¥¤¥¤¥Í¥¹¡£(2004)
1,500±ß(ÆâÀÇ)
¥Ç¥È¥í¥¤¥È¥Æ¥¯¥Î¤ä̤ÍèÇÉ¥¸¥ã¥º¤È¤Î¿ÆÏÂÀ¤¬¹â¤«¤Ã¤¿°Ë¤Î¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¥ì¡¼¥Ù¥ëARCHIVE¡¢¤³¤ÎÈפϸ«Æ¨¤µ¤ì¤¬¤ÁDOMU¤ÈMODAJI¤Î¥æ¥Ë¥Ã¥ÈDHJ¡£ÀöÎý¤µ¤ì¤¿¥â¥À¥ó¥Õ¥å¡¼¥¸¥ç¥ó¡Á¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤Î¥È¥é¥Ã¥¯¥á¥¤¥¯¤Ï20À¤µª¤ÎLevel 42¡£¼ÂºÝ¤Ë¡ÖShapeshifter¡×¤ò¥Þ¥Ã¥É¤Ë¥«¥Ð¡¼¤·¤Æ¤ª¤ê¤Þ¤¹¡£¸°ÈפÏKaidi Tatham¡£¸¶¶Ê¤ò¥×¥í¥°¥ì¥Ã¥·¥Ö¤ËÅɤêÂØ¤¨¤Æ¤¤¤¯ºÍǽ¤òݤ¯¤³¤È¤¬¤Ç¤¤Þ¤¹¡£¼çºÅVOLCOV¤Î¥ê¥ß¥Ã¥¯¥¹Æþ¤ê¡£(2001)
2,300±ß(ÆâÀÇ)
THE DETROIT EXPERIMENT¤Ë¤â»²²Ã¤·¤Æ¤¤¤ë ¥Þ¥ë¥Á¡¦¥¡¼¥Ü¡¼¥É±éÁÕ¼Ô¤ÎJeremy Ellis(Recloose¤Î¡ØCARDIOLOGY¡Ù¤Ç¤â±éÁÕ¤·¤Æ¤¤¤Þ¤·¤¿¤Í)¡£Ubiquity¤«¤é¤Î¥ê¥ê¡¼¥¹¤È¤¢¤Ã¤Æ²òÊü´¶¤¢¤Õ¤ì¤ë¥¢¥ë¥Ð¥à¤Ç¤¹¤è¡£¥×¥¨¥ë¥È¥ê¥³¤Ç¤ÎÊë¤é¤·¤¬À¸¤ó¤À¤Ç¤¢¤í¤¦¡¢¥é¥Æ¥ó¡¦¥Õ¥å¡¼¥¸¥ç¥ó¤¬¿´ÃϤ褤¡£¥Õ¥å¡¼¥Á¥ã¡¼¥¸¥ã¥º¡¢¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤È¤â¿ÆÏ¤¹¤ëÁ¡ºÙ¤ËÂǤ¿¤ìÏ¢¤Ê¤ë¥Ó¡¼¥È¤ÎÊÑÍÆ¡¢À䤨¤Þ¤Ê¤¤¥ê¥º¥à¤ÎÍɤé¤á¤¤Ë¼æ¤µ¯¤³¤ë¹âÍȤϤɤ³¤Þ¤Ç¤â¡£ (¥¤¥Î¥¦¥¨)(2005)
2,500±ß(ÆâÀÇ)
¥É¥¤¥Ä̤ÍèÇÉ¥¸¥ã¥º¤ÎºÇ½ÅÍ×¥°¥ë¡¼¥×JAZZANOVA¡£¥á¥ó¥Ð¡¼Á´°÷¤¬Â·¤Ã¤Æ¥ê¥ê¡¼¥¹¤·¤¿µÇ°¤¹¤Ù¤1st¥¢¥ë¥Ð¥à¡£°µÅÝŪ¤ÊÃ챤Ë΢ÉÕ¤±¤µ¤ì¤¿¥µ¥ó¥×¥ê¥ó¥°¥Ó¡¼¥Ä¡ÖL.O.V.E. And You & I¡×¤Ç¤ï¤«¤ë¤è¤¦¤Ë¡¢¥µ¥ó¥×¥ê¥ó¥°¤È¥¢¥³¡¼¥¹¥Æ¥£¥Ã¥¯¤òÀä̯¤Ê¥Ð¥é¥ó¥¹¤Ç¥ß¥Ã¥¯¥¹¤¹¤ë¤³¤È¤Ç¡¢¿·¤¿¤ÊÃÏÊ¿¤òÀڤ곫¤¤Þ¤·¤¿¡£David Friedman¤äDoug Hammond¡¢70ǯÂå¤Î¥ì¥¸¥§¥ó¥É¤ò¥Õ¥£¡¼¥È¤·¤Ê¤¬¤é¡¢¥ê¥ô¥¡¥¤¥ô¥¡¥ë¤Ç¤Ï̵¤¯NEU!JAZZ¤òÄ󼨤·¤¿·æºî¥¢¥ë¥Ð¥à¤«¤é¤Î¥ê¥ß¥Ã¥¯¥¹¥«¥Ã¥È¡£(2003)
2,500±ß(ÆâÀÇ)
¥É¥é¥à¥ó¥Ù¡¼¥¹´ü¤ò·Ð¤Æ¡¢¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤¬Î´À¹¤ò¶Ë¤á¤ë»þÂå¤ËDEGO¤Î°ìÈÖÄï»Ò¤È¤·¤Æ¡¢10Â夫¤é¥È¥é¥Ã¥¯¥á¥¤¥¯¤ò³Ø¤ó¤À¡¢¤½¤ÎºÍǽ¤¬À¸¤ß½Ð¤·¤¿¥È¥é¥Ã¥¯·²¤ÏÅöŹ¤Ë¤È¤Ã¤Æº£¤â»¬¤Ó¤ì¤ë¤³¤È¤Ï¤¢¤ê¤Þ¤»¤ó¡£Åö»þ¤ÏÍÍ¡¹¤Ê̾µÁ¤ò»È¤¤Ê¬¤±¤Æ¡¢°î¤ì¤Þ¤¯¤ê¤Þ¤¯¤ëºÍǽ¤ò¼¡¡¹¤È¥ì¥³¡¼¥É¤Ë¤·¤Æ¤¤¤Þ¤·¤¿¡£RIMA̾µÁ¤Ï¥³¥é¥Ü¥ì¡¼¥·¥ç¥ó¥È¥é¥Ã¥¯¤¬Â¿¤¤¤Ç¤¹¡£¥ô¥©¡¼¥«¥ê¥¹¥È¤«¤éIAN O'BRIEN¤Þ¤Ç¡£¥¸¥ã¥±¥Ã¥È¥¢¡¼¥È¥ï¡¼¥¯¤¬DELTA¡¢JAZZANOVA¤Ï°¦¤¹¤Ù¤³Î¿®ÈÈ¡£(2000)
1,500±ß(ÆâÀÇ)
JAZZLAND¤ò¼çºË¤¹¤ë¡Ê¤«¤Ä¤Æ¤ÏECM¤Ç¤â³èư¡Ë¥Î¥ë¥¦¥§¡¼¤Î¥¸¥ã¥º¡¦¥ß¥å¡¼¥¸¥·¥ã¥óBUGGE WESSELTOFT¤¬¥¨¥ì¥¯¥È¥í¥Ë¥¯¥¹¥ß¥å¡¼¥¸¥Ã¥¯¤ËÀܶᤷ¡¢70ǯÂå¤Ëµ¯¤³¤Ã¤¿²½³ØÈ¿±þ¤ò¥¨¥ì¥¯¥È¥í¥Ë¥¯¥¹¤ÇºÆ¹½ÃÛ¤·¤¿¥Ë¥å¡¼¡¦¥³¥ó¥»¥×¥·¥ç¥ó¡¦¥ª¥Ö¡¦¥¸¥ã¥ºÂè°ìÃÆ¡ÖNew Conception of Jazz: Sharing¡×¤«¤é¤Î¥·¥ó¥°¥ë¥«¥Ã¥È¡£(1999)
1,900±ß(ÆâÀÇ)
DEGO¤¬2000 Black¤òΩ¤Á¾å¤²¡¢¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥ÄóÕÌÀ´ü¤Ø¤ÈÆÍÆþ¤·¤¿»þ´ü¤ÎNUBIAN MINDS¡¢¥¤¥¿¥ê¥¢¡¦¥¢¡¼¥«¥¤¥ô¤«¤é¥ê¥ê¡¼¥¹¤µ¤ì¤¿±£¤ì̾Èס£NUBIAN MINDS¤Ï¤É¤ì¤â̾ºî¤Ã¤Æ½ñ¤¤¤Æ¤·¤Þ¤¤¤Þ¤¹¡£¡£¡£¥Ï¡¼¥É¤Ê¥Ó¡¼¥È¤È¥Ù¡¼¥¹¤Ç¹½À®¤µ¤ì¤¿¡¢¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤Î¥ï¥¤¥ë¥É¥µ¥¤¥É¤ò¼ÀÁö¤¹¤ë¥¢¥ë¥Õ¥¡¥ª¥á¥¬¥Á¥å¡¼¥ó¡£¥Ö¡¼¥¹¥È¥¥Ã¥¯¤Ï¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¡¢¥Ý¥¹¥È¥Ç¥È¥í¥¤¥È¤Ê¥Þ¥¹¥¿¥ê¥ó¥°¤ÏIDM¤ÈξÊý¤Î²ò¼á¤¬²Äǽ¤ÊEP¤Ç¤¹¡£ (2000)
1,500±ß(ÆâÀÇ)
¥¦¥§¥¹¥È¥í¥ó¥É¥ó¤Ç¥â¥À¥ó¥Õ¥å¡¼¥¸¥ç¥ó¡Á̤ÍèÇÉ¥¸¥ã¥º¤Î¿·¤¿¤Ê¼Â¸³¤ò¹Ô¤Ã¤Æ¤¤¤¿¥ì¡¼¥Ù¥ëLAWS OF MOTION½é´ü¥«¥¿¥í¥°¡£¥ì¡¼¥Ù¥ë¤Ç¤âÃæ³Ë¤È¤Ê¤ë¥¢¡¼¥Æ¥£¥¹¥ÈMODAJI¤Ë¤è¤ë¥â¥À¥ó¥Õ¥å¡¼¥¸¥ç¥ó¡£ÁÇÀ²¤é¤·¤¤¥ê¥º¥à¥Ñ¥¿¡¼¥ó¤ÈÈôæÆ¤¹¤ë¥·¥ó¥»¡¢¥Ç¥£¡¼¥×¥Ï¥¦¥¹¤Î²ò¼á¤Ç¤â¥×¥ì¥¤¤Ç¤¤Þ¤¹¤Í¡£(1998)
SOLDOUT
Ian o'Brien¤¬¥Ç¥È¥í¥¤¥È¥Æ¥¯¥Î¤ò·Ðͳ¤·¤ÆÅŲ½¥¸¥ã¥º/¥³¥º¥ß¥Ã¥¯¥Õ¥¡¥ó¥¯¤Ø¤Î¥¢¥×¥í¡¼¥Á¡¢¤½¤·¤ÆºÇ¤âÆâ¾ÊŪ¤Êɽ¸½¤Ø¤È¸þ¤«¤Ã¤¿¤È»×¤ï¤ì¤ë2001ǯ¥ê¥ê¡¼¥¹¡ÖA History Of Things To Come¡×¤Ø¤È·Ò¤¬¤ë̾ºî12inch¡ÖEden¡×¡£Àµ¤·¤¯»¬¤Ó¤ì¤Ê¤¤Ì¾ÈפǤ¹¡£¥³¥º¥ß¥Ã¥¯¥»¥ª¥ê¡¼¤Ê¥Õ¥¡¥ó¥¯¥È¥é¥Ã¥¯¡ÖAgua¡×¡¢LONNIE LISTON SMITH¤ò×Ç×ʤµ¤»¤ë¥³¥º¥ß¥Ã¥¯¥á¥Ã¥»¥ó¥¸¥ã¡¼¤Ê¥Õ¥å¡¼¥Á¥ã¡¼¥¸¥ã¥º¥È¥é¥Ã¥¯¤ò¼ýÏ¿¡£(2000)
1,500±ß(ÆâÀÇ)
70's¥¸¥ã¥º/¥Õ¥¡¥ó¥¯¤Ø¤ÎÆ´ØÝ¤ò21À¤µª¤Î¥¨¥ì¥¯¥È¥í¥Ë¥¯¥¹¤Ç¸«»ö¤Ë¾º²Ú¤¹¤ëKIRK DEGIORGIO¡¢Ì¤ÍèÇÉ¥¸¥ã¥º¡Á¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä²ò¼á¤Þ¤Ç²Äǽ¤Ê¥Ó¡¼¥È¥·¡¼¥±¥ó¥¹¡£M2M°Ê¹ß¤Î¥Ç¥È¥í¥¤¥È¥Æ¥¯¥Î¤òÒòÓ𤷤¿¥·¥ó¥»¥ï¡¼¥¯¤ÏÅö»þ¤Î¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤Î°ì¤Ä¤Î¥Ù¥¯¥È¥ë¤Ç¤â¤¢¤ê¤Þ¤·¤¿¡£¥Ç¥È¥í¥¤¥È¤Î¥³¥º¥ß¥Ã¥¯¥»¥ª¥ê¡¼¤ò°ú¤·Ñ¤¤¤ÀFUTURE JAZZ/IDM¡£(2001)
2,900±ß(ÆâÀÇ)
¥É¥¤¥Ä¤ÎCOMPOST¤¬ºî¤ê½Ð¤·¤¿ÊÔÀ®Êª¡£BUGGE WESSELTOFT¤¬Ä󾧤·¤¿¡Ö¥Ë¥å¡¼¡¦¥³¥ó¥»¥×¥·¥ç¥ó¡¦¥ª¥Ö¡¦¥¸¥ã¥º¡×¡¢¤ä¤ó¤ï¤ê¤È¤·¤¿¥à¡¼¥É¤Çǧ¼±¤µ¤ì¤Æ¤¤¿¥¸¥ã¥º¤ò¥¨¥ì¥¯¥È¥í¥Ë¥¯¥¹¤Ç¥À¥ó¥¹¥ß¥å¡¼¥¸¥Ã¥¯¤È¤·¤Æ¥·¥å¥ß¥ì¡¼¥È¤¹¤ëFuture Jazz¤ò·èÄêÉÕ¤±¤¿ÊÔÀ®Êª¤Î°ì¤Ä¡£¥¼¥íǯÂåÆÍÆþ¡¢Vol.7¤ÏÀ®½Ï´ü¤È¤â¸À¤¨¤ë¥È¥é¥Ã¥¯¤¬ÌÜÇò²¡¤·¤Ê¤Î¤Ç¤¹¤¬¡¢D&B¤âÆþ¤Ã¤Æ¤ë¤È¤³¤¬¿®Íê¤Ç¤¤Þ¤¹¡£Æ±»þÂ塢̤ȯɽ¤Î¥È¥é¥Ã¥¯¤â¿¤¯¡¢¤½¤Î»þÂå¤ò·¡¤ê²¼¤²¤ëÍå¿ËÈפȤ·¤Æ¤ÎÌò³ä¤â»Ä¤·¤Æ¤¯¤ì¤¿Ì¾¥³¥ó¥Ô¡£(2000)
2,800±ß(ÆâÀÇ)
¥É¥¤¥Ä¤ÎCOMPOST¤¬ºî¤ê½Ð¤·¤¿ÊÔÀ®Êª¡¢BUGGE WESSELTOFT¤¬Ä󾧤·¤¿¡Ö¥Ë¥å¡¼¡¦¥³¥ó¥»¥×¥·¥ç¥ó¡¦¥ª¥Ö¡¦¥¸¥ã¥º¡×¡¢¤ä¤ó¤ï¤ê¤È¤·¤¿¥à¡¼¥É¤Çǧ¼±¤µ¤ì¤Æ¤¤¿¡¢¥¸¥ã¥º¤ò¥¨¥ì¥¯¥È¥í¥Ë¥¯¥¹¤Ç¥À¥ó¥¹¥ß¥å¡¼¥¸¥Ã¥¯¤È¤·¤Æ¥·¥å¥ß¥ì¡¼¥È¤¹¤ëFuture Jazz¤ò·èÄêÉÕ¤±¤¿°ì¤Ä¤¬¤³¤Î¥·¥ê¡¼¥º¤À¤È»×¤¤¤Þ¤¹¡£½é´ü¤Ë¤Ê¤ë¤Û¤É¡¢¼«Á³¤Ë¥·¥«¥´²»¶ÁÇɤ¬¼ýÏ¿¤µ¤ì¤Æ¤¤¤¿¤ê¡¢¤ª¤â¤í¤ß°î¤ì¤Æ¤¤¤ë¤Î¤Ç¤¹¤¬¡¢º£Æü¤Ï¶á¤¯¤Ë¤¢¤Ã¤¿¡¢¤³¤ÎÈפòÏ¿²»¤·¤Þ¤·¤¿¡£DJŪ¼êË¡¤ÇÊÔÀ®¤¹¤ë¤³¤È¤Ë¤è¤Ã¤Æ¡¢Ä°¤¼ê¤Î´¶³Ð¤ò³ÈÄ¥¤·¤Æ¤¯¤ì¤ë¡¢ÊÔÀ®Êª¡£Ì¾Èס£(1999)
SOLDOUT
Super8 Records - SUPR003
(2003)(Smooth T)
1,500±ß(ÆâÀÇ)
WEST LONDONȯ¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤Î¥¤¥Î¥Ù¡¼¥¿¡¼IG CULTURE¤ÈDETROITȯ¥ß¥¹¥¿¡¼SOUND SIGNATURE¡¢THEO PARRISH¤¬¥¢¥à¥¹·Ðͳ¤Ç¥¿¥Ã¥°¤òÁȤó¤À°Û¿§Èס£¤³¤Î¥¿¥Ã¥°°Õ³°¤Ë»×¤¨¤Þ¤¹¤¬¡¢¤Þ¤ÀÆæÂ¿¤Â¸ºß¤À¤Ã¤¿THEO PARRISH¤Ï¼«¿È¤Î¥ß¥Ã¥¯¥¹¤ä¥È¥é¥Ã¥¯¤ÇWEST LONDON¤Ë¥¢¥ó¥µ¡¼¤ò½Ð¤·¤Æ¤¤¤Þ¤·¤¿¡£¤½¤·¤Æ¡¢Æó¿Í¤Î²½³ØÈ¿±þ¤Ï¥Ö¥í¡¼¥¯¥ó¤Ç¤Ï̵¤¯¡¢¹Ó¡¹¤·¤¤¥È¥é¥¤¥Ð¥ë¥¸¥ã¥º¤È¤Ê¤ê¤Þ¤·¤¿¡£RAW & MAD¡£(2010)
2,500±ß(ÆâÀÇ)
WEST LONDON¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤ò¸ì¤ë¾å¤Ç·ç¤«¤»¤Ê¤¤Èס¢2000 BLACK¡£MTM¤«¤é¥Ç¥È¥í¥¤¥È¤ÈÀ¾¥í¥ó¤Î¹õ¤¤î°íð¤Ï¤Ï¤¸¤Þ¤Ã¤Æ¤¤¤Þ¤¹¡£¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤Î¥½¥¦¥ë¥Õ¥ë¤Ê¥É¥é¥à¥·¡¼¥±¥ó¥¹¤Ï70's¤ÎROY AYERS¤«¤é¤Î±Æ¶Á¤ò¿§Ç»¤¯¼õ¤±¤Æ¤¤¤Þ¤¹PEOPLE¤Î¥ê¥ê¡¼¥¹(ÆÃ¤ËIG¤Î¥½¥¦¥ë¥Õ¥ë¤Ê¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä)¤òݤ¤¤Æ¤â¡¢ÌÀ¤é¤«¤Ç¤¹¤è¤Í¡£¤½¤ó¤ÊROY AYERSËܿͤ⻲²Ã¤·¤¿¡¢ÞտȤΥ³¥ó¥Ô¥ì¡¼¥·¥ç¥ó¡£(2001)
1,400±ß(ÆâÀÇ)
!K7 Records - !K7046EP
(1996)(Smooth T)
2,300±ß(ÆâÀÇ)
Main Squeeze¤«¤é¥Ê¥¤¥¹¤Ê¥³¥ó¥Ô¥ì¡¼¥·¥ç¥ó¤Ç¤¹¡ªÆñ²ò¤ÊºîÉʤ⿤¤Main Squeeze¤Ç¤¹¤¬Bémbé Ségué¤Î¡ÖAmazing¡×¤Ë¤ß¤é¤ì¤ë¤è¤¦¤Ë¡¢¤½¤ì¤¾¤ì¤¬ÆÈ¼«¤Î¥°¥ë¡¼¥ô¤È²»³ÚÀ¤òÄɵᤷ¤Ê¤¬¤é¡¢¡É¥À¥ó¥¹¤¹¤ë¤³¤È¡É¤ò´î¤Ó¤¢¤¦¤³¤È¤ÇÀ¸¤Þ¤ì¤ë¥Ý¥¸¥Æ¥£¥Ö¤Ê¥Æ¥ó¥·¥ç¥ó¤Ë»Å¾å¤¬¤Ã¤Æ¤¤¤ë¤³¤È¤¬ÁÇÀ²¤é¤·¤¤¡£¤º¤Ã¤È¡¢Í٤äƤ¤¤¿¤¤¤Ê¡£(¥¤¥Î¥¦¥¨)(2000)
1,300±ß(ÆâÀÇ)
Phillytest - PT01
(2001)(Smooth T)
1,300±ß(ÆâÀÇ)
¥¦¥§¥¹¥È¥í¥ó¥É¥ó¡¦¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¥·¡¼¥ó¤Î²ç¾ë¤È¤Ê¤Ã¤Æ¤¤¤¿PEOPLE¥ì¡¼¥Ù¥ë¡£À¾¥í¥ó¤Ç°é¤Þ¤ì¤¿¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤ÎÃæ¤Ç¤âºÇ¤âÆñ²ò¤«¤ÄÁ¡ºÙ¤Ê¥Ó¡¼¥È¤òÀ¸¤ß½Ð¤¹MPCã¿ÍIG CULTURE¤ÎÊÑ̾¡£¥â¥À¥ó¥½¥¦¥ë¡¢¥Ò¥Ã¥×¥Û¥Ã¥×¡¢¥¸¥ã¥º etc¤Î¥¨¥Ã¥»¥ó¥¹¤¬¶Å½Ì¤µ¤ì¤¿¥Ó¡¼¥È¡£¥Ç¥È¥í¥¤¥È¤Î¥¢¡¼¥Æ¥£¥¹¥È¤¬¥Ö¥í¡¼¥¯¥ó¥Ó¡¼¥Ä¤òºî¤ê½Ð¤¹¤È¤¤Î°ì¤Ä¤Î»ØÉ¸¤È¤Ê¤Ã¤Æ¤¤¤ë¤³¤È¤ò´¶¤¸¤µ¤»¤Þ¤¹¡£(1998)
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
10
|
...
|
¼¡¤Î¥Ú¡¼¥¸¤Ø
Á´ [227] ¾¦ÉÊÃæ [1-20] ¾¦Éʤòɽ¼¨¤·¤Æ¤¤¤Þ¤¹
¢£ºÇ¶á¥Á¥§¥Ã¥¯¤·¤¿¾¦ÉÊ